The Hyena Men of Abuja

Wow. Pieter Hugo has a fascinating story and pictorial record of a troupe of Nigerian performers who keep and use baboons, snakes and hyenas for a traveling show. The photos themselves are amazing, and the story is wonderfully interesting.

The story touches on many things, including animal rights issues, and the comments section after the post is as rife with passionate and opposing viewpoints as you'd expect. What did surprise me is that some of the comments are pretty thoughtful; I don't see a lot of that, usually.

Speaking for myself, I think an ideal world wouldn't involve the keeping of wild animals as pets, but none of us lives in that ideal world, and certainly not the Hyena Men of Abuja. The complaints against this practice miss the point, and sound a little too much like: "Why don't these guys just get a job??" Good for them for finding a bold, unique way to make an honest buck. I'd pay to see it.

"No mere apple...!"

For decades I have tried to teach myself to draw. For the entire time, I have used a stupid and relatively unproductive technique that goes like this:

1. Buy book
2. Try to do what books says
3. Associate drawing with failure and frustration
4. Quit

I have some very good books, and I've had some that instruct you to simply draw things one step at a time, one, two, three, four, until you have drawn what the artist has drawn - easy! Except that you can't just skip the grinding and steady application of (even if enjoyable) discipline, effort and learning of technique that the acquisition of this skill requires (unless you're naturally gifted, in which case forget what I said because I hate you for it anyway).

Not so much admitting to the fact as succumbing to it, I surrendered to the suspicion that working with someone more skilled than myself might actually make sense, and I contacted local artist John Turnbeaugh who offers classes. We sat down recently at a local coffee shop and discussed what I liked, what my goals were, and what I had done so far.

We flipped through my sketch book, and he was mildly-yet-pleasantly surprised at the abilities I have cobbled together so far. I'm embarrassed to admit what thrills ran though me when he complimented the things I have done correctly. He has some encounters where aspiring artists are at a pretty remedial level, and he was relieved at some of the heavy lifting he wouldn't have to slog through with me. It's encouraging to find that after bashing my head against the Walls of That Which I Cannot Yet Do, I have absorbed some sensible ideas of space and perspective. Still, having someone acknowledge that and mean it - I could have hugged him for it.

It wasn't all a love-fest though, thankfully. We moved on to the areas that need improvement, and God knows that they are vast and numerous. Among the things I learned or otherwise gathered:

• Try to see objects as they are, rather than the generify (made up word "generify" Copyright 2011, Liberated Pachyderm Productions) them as they are in your mind's eye. For example, John produced an apple and instantly became the apple's Chief Advocate: "Don't see this as just any ordinary apple. See this apple for the unique apple that it is. This apple has its own character, its own dents and color patterns and shape. Draw the apple as it is, not as you imagine it to be." I'm paraphrasing, but that was the gist.
• All pencils are not made equal. While I tend to favor mechanical pencils, that's okay, but I should embrace the use of the "B" pencils for their softness and use in shading. I need more practice and understanding among the tools I would use.
  
• Shading - we discussed cross-hatching, and its alternative which we dubbed the "traditional" or "other" type of shading, where you apply pencil to an area and skillfully smear it in from there. This is my biggest area of improvement, and I knew it. Still, we went over the apple and my representation of it. I was reassured that my lines and shape were generally strong (although deserving of some correction), but my ability to shade and imply form was nearly void. I actually sat and stared at the page when it came time to shade my apple-of-singular-identity, waiting for my brain to find the right gear and propel my hands to do something intelligent. It never happened. But, with some instruction and prodding from my new instructor, I started timidly adding more graphite here and there and I ended up with a pretty fair apple when we were done.
• Other artists to investigate: Alex Ross; John Romita, Jr.; Vincent Van Gogh; Frank Frazetta.
  

I am really glad that I allowed myself to move in a positive direction with this. What a wonderful thing it would be to be able to draw with skill.

Genius

Henry David Thoreau's "Walden," from the chapter "Sounds:"

"Follow your genius closely enough, and it will not fail to show you a fresh prospect every hour."

Man, that's good stuff.

Let's get the obligatory, "I haven't blogged in a while" B.S. out of the way:

Holy shit, has it been more than two weeks since I blogged? Gee.

There, that's better. For a little more thought on that:

As I've mentioned before, I have a problem with focus. When I can arrange my thoughts and efforts toward a specific goal or topic, my ability to remain creative with that goal vanishes. It is a maddening blind spot on my mind's eye. The flip side of that is that when I am forced to labor for another's ends, as most of us are for much of our adult lives, the peripheral items that catch my eye seem to stir up much more useful grist.

In other words, when I'm stuck at work mining for cubicle lint, I am much more likely to dream up and obsess about things that strike my fancy. Things about which I might blog someday. Which brings me to my point:

Whilst I do still toil under the master's yoke, I have been engaging more and more in activities and experiments that, rather than insult and spurn my creativity and such-as-it-is intellect, they yank them in, grind and twist them in their ruthless clockwork and spit them out dirty, tattered and exhausted.

I have more to do and less to bitch about, which makes for a spindly blog entry, especially when you're accustomed to belly-aching about things outside your control.

This turn of events should make for an entirely different and no less interesting blog - one that describes the acquisition of hilltops and slaying of dragons. But it involves a switching of gears that I have hardly pondered until now, much less undertaken. I'm not used to acknowledging solutions and goals attained and describing successes; I find that it puts me back a bit!

In any event, I have been doing more 'doing,' and less postulating and navel-gazing. Therefore, the skimpier blog. This is a good thing. Once I can rework the machinery of my self-expression, it's entirely possible I have much to say.

We'll see!

"I've just gotta be me" or "This explains a lot"

I have long noted inwardly the clash of two very different forces in my approach to life. On one hand, there is the outward compulsion to conform, to be 'normal.' It doesn't sound like much to ask.

On the other, there is the inner impulse to be myself. In movies, in school and in conversation, there is always the noble and near-holy moral of a story to "just be yourself." "To thine own self be true." To put it diplomatically, I have always been an individual. I learned French in a state that is flooded with Spanish-speakers. I taught myself to juggle for no reason at all. I not only made balloon animals at my kid's preschool last week, but I taught two of his teachers to do the same. Why? I don't know, other than it is irresistible. To say that I am possesed by the imp is like declaring that water is wet; it is accurate without being sufficiently comprehensive to the subject at hand. I just must be different.

But opportunities to blow my own cover constantly abound, and it is in my very physical nature to take said opportunity and do something memorably unusual with it. I wouldn't say that it's necessarily cost me jobs in the past, but I am certain in my inner depths that it has had such a contributory effect.

To say that I struggle with the two conflicting forces is inaccurate because it assumes that I spend a lot of time dealing with awkward situations in advance of their occurrence, which is not true. I do consider, worry over and deeply regret these instances, but only ever in the wake of their occurrence. I never consider consequences "at the moment," but every break from the herd that draws attention to itself leaves a little psychological scar; many positive events in my life are lost to the dustbin of mental history, but for some reason the wincing, second-glance inducing departures from the norm stick with me for years, maybe forever. The time I sang Karaoke so forcefully badly in the shitbag bar that the DJ all but shut down the vocal channel in his equipment, as my wife and her friend looked on, torn between feigning support for the dare they ushered me into and running away in proper shame. The time early in my technical career when I told an ex-Navy friend of my Dad's in front of several colleagues that the automated web design software DreamWeaver was "for queers." Nearly immediately and for years afterwards I wonder to myself: "Christ, what was I thinking?" I am still uncomfortable thus reminiscing even today, and yet I can't help but chuckle to myself in recalling them to write them down here. Something within me is truly off-center (I firmly resist to say "wrong"), and yet it is within me.

Looking up at the family tree, I see that it is very likely genetic, on my father's side, where there are fruits and nuts hanging clearly from every branch in view. Both my Uncle and Dad buck the system in their own odd (and admirable) way. My Dad, for example, takes great joy in the occasional opportunity to ambitiously fuck with any sort of door-to-door salesperson, be they commercial or spiritual in nature. Woe be unto any vacuum cleaner salesman, Jehovah's Witness or pest control entrepreneur who commits the tragic sin of darkening his doorstep. The man is fairly known for it; maybe it's his years in law enforcement that helped him to craft the proper balance of malevolence vs.liability, to loosen the bowel of a weary ware-hawker with wordless threat of impending harm without being actionably illegal, I don't know. All I know is that anyone within earshot of the exchange is immediately filled with sympathy for the pathetic zombie that trudges defeatedly away from the mean old jutting-jawed man in the doorway. Kids in Africa should get this kind of soul-eyed compassion.

Why does he do it? Why am I the way I am? Even writing this blog; who puts down this viscerally private shit, too personal for friends to read but just fine for people I don't know? These are philosophical questions, asked of a natural event, akin to asking why tornados favor trailer parks. There are no scientific answers, only conjecture, which at best might soothe a trouble soul, yearning for reason in an unreasonable world.

I'm told the Chinese have a proverb, roughly stated thus: "The nail that sticks out gets hammered back in." I sense the harm that "being myself" does in my everyday life. I am certain that I would be higher in the vocational food chain if I were more like the slick-talking, fast-walking schmoozers I've run up against over and over in the world.

But an indignant part of me rails against that course of thinking as soon as I've thunk it, stomping and griping and rebelling against the thought of living someone else's preferred view of my conduct, no matter how convenient and streamlined my life might be (which must be a powerful innate force, as otherwise lazy as I know myself to be).

I do struggle with such questions, even if only after the fact. It is a troubling question to me, whether to toe the line and live everyone's expectation, or to follow my gut, and throw curveballs when presented with the chance. Both sides of the argument have their temptations, but I know one thing:

As my son grows older, I will teach him juggling, and some French.

Nosing around in the dark

I am beginning to suspect that my problem is not psychological, or even emotional, but spiritual. Sounds odd to say, as I am not a broom-smoking, flower-licking hippie type. I am probably one of the least-spiritual people I know - some might say that's the problem, but I'm not sure.

I do know that my spiritual adviser, Paula Phipps, has had some very reasonable advice, lending perspective to otherwise befuddling and maddening circumstances. Plus, I've been trying to read a book on manifestation, and it's making more and more sense as well.

Finally, as lousy as my own instincts have been for years, I have made a few helpful realizations on my own lately, which have also helped to smooth my ride.

Life is certainly not easy, but it's been a little easier. And that ain't nothin'...