Setting comedy aside, for now

Just before I got started in comedy, there was this really cool website forum called NobodyLikesMe.com (bizarrely prophetic in light of this post now that I've written it). It was built and maintained by Patrick Mellon, who has since gone on to be a writer last I heard, but who knows where he is now? He said later that he bought that domain name with the intent of starting some kind of a dating website (a la match.com, which I don't think existed then). Anyway, Fate took it's turns and NobodyLikesMe.com ended up the best online water cooler for new and intermediate standups to hang out, trade info and talk shit.

It all looked so exciting, if not glamourous. Plus, it made it look do-able.

Now that I think about it, that doesn't have much to do do with what I wanted to say today but I'm leaving it there.

When I started my own website, HumorMeComedy.com, I thought it would be a great pretext to plug into the local comedy scene, and it was. I saw lots of cliques in the comedy world, the extent of which seems socially unique: people improve their comedy by writing together. Comics find work by networking. There seemed to be genuine camaraderie.

Several years later, I've done everything right for my family, and everything wrong for comedy: I've moved far away from any population centers, far away from most people whom I could have befriended and with whom I could have collaborated. I've known for a long time that I work more efficiently and more productively with a partner or a group than alone. And yet, I've isolated myself.

Which in the long view is okay. Every time there was a decision, I'd jump in the direction of sensibility: which job to take, which place to live. It's hard to regret that in the larger sense. My kid doesn't know any curse words or anti-social habits that I didn't personally teach him, which is a blessing that the little demon-spawn in Valley elementary schools can't boast. What a relief!

I don't regret these decisions, but I acknowledge and regret their consequences. I'm saddened to find that I have been unable to form more-solid friendships among the people I've met.

It could be worse - I'm not reviled or overtly rejected in their circles. But I'm rarely sought out. I invite people to come hang out at our country home, and they find reasons not to come. I've offered free beer and compensatory gas money, and still nothing. It feels like rejection, and at some point I get tired of shrugging it off like it doesn't bother me.

I have to wonder how much of it is me? There's a case to be made that my social equipment and processes are damaged enough that I repel people and misjudge social cues even when people *are* extending a welcoming hand. I admit that I fumble these transactions (See? Even there! Who calls this shit "transactions??")

In my teens, I didn't have many friends, and the ones I did have were not good for me. They were selfish and bizarre, and not in a good way. At some point I found myself without a single friend. It was healthy in a sense, because I stopped associating with people who didn't have my interests at heart, and I had to become my own best friend, the imaginary reflection of my mind's eye.

Even then I knew, it was like having a dead limb; one that hung limply at my side, getting caught on sharp edges and pinched in the car door, serving no purpose and feeling no sensation but pain. What sensible reaction could there be but to amputate? Somehow I did that, cut the wiring inside my head, and I was relieved and grateful for the numbness that followed.

But in another, very real sense, it was radically unhealthy. Shutting myself off from other people, I don't think I ever formed the emotional foundations that underpin normal social context. I've moved on to a point where Im constantly questioning and reviewing decisions in the social realm that people don't usually give any thought to.

It's a great mechanism for comedy because it fosters an instinctual examination of every segment of every interaction, allowing the exploration of the road less traveled. That's where my sense of humor lives.

But here's the funny thing: the limb is growing back, and the nerve endings are jangling, things are twitching. The pain returns. The wiring has been repaired without my permission, and not quite "up to code." The systems are flickering and sparking and are still in need of repair. (I realize that I'm mixing metaphors, but you'll have to forgive me, I don't have time to get this exactly right and this sloppy exploration will have to do).

I knew I couldn't deny it any longer when I went to Paris last year: I had all the time in the world and as I lingered on those history-drenched, rain-dappled cobblestoned streets of my dreams all I could feel was the cold, empty ache of loneliness, down to my bones. I clung to expensive phone calls to my wife, I offered to buy a complete stranger a meal at a restaurant so I would have someone to sit with. I didn't care whether she spoke English or not. (I don't know exactly what to make of the fact that I had no interest in dining with my good friend and travel partner that night; whatever my soul needed, it didn't see it in his company at that moment.)

It felt good to cough that up onto the page, even though all of this rant feels way too personal, like someone lamenting the smallness of his penis, complete with photos from several angles. And yet, what else can I do? I've gotta talk this over with someone, even if it's just with me.

All of this gazing inward is just a detour on the road to explaining why I'm setting comedy aside, believe it or not! I just couldn't figure out how to extricate one subject from the other, so I am dumping the whole tangled knot on the table here in it's jumbled state. So be it.

The social isolation, including the lack of camaraderie as well as collaboration, the geographical isolation, the demands upon my time of my day job, they all make it just too damn hard to continue to call myself a "comedian."

I can't say I'm "quitting;" that involves a finality that I don't feel. I can easily see myself getting back on the horse once one or more of the above-named conditions ease up. Maybe I'll move. Maybe I'll have a different job someday. Maybe I'll partner up with somebody and things will click. I look forward to such a time. At the same time, it seems crushingly sad to think that I may look back at this moment ten years from now having not created or performed in the meantime.

Until then, I've got one more obligation for a show in early April. I'll prepare and do my best for that one, but I certainly won't seek out new opportunities. I don't know what I'll do if offered a gig after that, but I doubt that I'll accept it. "Luckily," offers don't come too often anyway, so the decision shouldn't arise much. I just know I don't have the resources right now to keep going, even in the half-assed manner I've been pursuing lately.

Thanks for listening.